Individual Paper 30 mins (20 minutes presentation, 10 minutes Question & Answer session)
Pecah Ruyung Paper 20 mins (10 minutes presentation, 10 minutes Question and Answer session)
Performance of Creative Work 30 mins (20 minutes presentation, 10 minutes Question & Answer session)
International Music and Performing Arts Conference (IMPAC2022)
14-16 December 2022
Program Schedule
KEYNOTE 1
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Performance Studies in a Global Context: A Live Conversation with Richard Schechner Richard Schechner Moderator: Patricia Hardwick & Raul Navarro |
PARALLEL SESSION 1 14 DECEMBER 2022 (Wednesday) 11:00 a.m. – 12:30 p.m. | ||
Performing Arts in Covid Era Room: KM1 Chair: Muhammad Fazli Taib Saearani | “Creative” Sustainability of Traditional Performing Arts Room: Smart Classroom Chair: Mohd Hassan Abdullah | Performing Arts Industries Room: KM3 Chair: Wong Huey Yi @ Colleen Wong |
11.00a.m. – 11.30a.m. Improvising and Collaborating in Isolation: Teaching Strategies and Digital Realities Pei Ann, Yeoh Universiti Teknologi MARA, Malaysia | 11.00a.m. – 11.30a.m. The Layout of Instruments in the Context of Teaching Strategies and Performance of Balinese Gamelan Music at the University of Canterbury I Made Kartawan Institut Seni Indonesia, Denpasar, Indonesia | 11.00a.m. – 11.30a.m. Exploration in the Vocal Characteristics, Skill Requirements and the Construction Evaluation of Demo Singer Xue Jie, Huang Universiti Putra Malaysia, Malaysia
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11.30a.m. – 12.00p.m. Creation of the Colossal Performance of the Mandalika Charming as a Strengthening of Tourism Destinations in the Manadalika Area After the Covid-19 Pandemic I Gede Yudarta Institut Seni Indonesia, Denpasar, Indonesia
| 11.30a.m. – 12.00p.m. Garbha Gambuh, the ‘New Womb’ for the Classical Court Art in Budakeling Village, Karangasem, Bali. Ida Ayu Wayan Arya Satyani Institut Seni Indonesia, Denpasar, Indonesia | 11.30a.m. – 12.00p.m. Embrace Our Color: Nationalism in Philippine Pop Music Nagai, Hiroko Ateneo de Manila University, The Philippines |
12.00p.m. – 12.30p.m. Kesinambungan Kegiatan Teater Athens melalui Persembahan “Live Streaming” Semasa Pandemik Covid-19 Fazilah Husin Universiti Putra Malaysia, Malaysia | 12.00p.m. – 12.30p.m. Sani Fantasia: An Observation on Yi Nationality Employing Yunnan Ethnic Characteristics in Piano Music Adaptation Yi Keng, Liang Universiti Sains Malaysia, Malaysia | 12.00p.m. – 12.30p.m. Site dan Memori dalam Karya Family Portrait
Nurulakmal Abdul Wahid, Nur Nabila Michael Luang Abdullah Universiti Pendidikan Sultan Idris, Malaysia |
PARALLEL SESSION 2 14 DECEMBER 2022 (Wednesday) 02:00 p.m. – 03:30 p.m. | ||
Performing Arts in Covid Era Room: KM1 Chair: Christine Augustine | “Creative” Sustainability of Traditional Performing Arts Room: Smart Classroom Chair: Yap Jin Hin | Performing Arts Industries Room: KM3 Chair: Indra Selvarajah |
02.00p.m. – 02.30p.m. Choral Singing in the Philippines During the Pandemic: Articulating the Reciprocal Model of Society Influencing Music and Vice Versa Robert Delgado University Of The Philippines, Diliman, The Philippines | 02.00p.m. – 02.30p.m. Design of Reconstruction of Siva Dance Music Equipment Making Relief of Balustrades Fencing of Shiva Prambanan Temple A. M. Susilo Pradoko, Ayu Niza Machfauzia Universitas Negeri Yogyakarta, Indonesia
| 02.00p.m. – 02.30p.m. Student Empowerment in Regional Music Multimedia Production to Instill Local Song for Youth Kun Setyaning Astuti Universitas Negeri Yogyakarta, Indonesia |
02.30p.m. – 03.00p.m. “Learning Differently”: Selected Filipino Music Educators’ Alternative Music Education Experiences During the Covid-19 Pandemic Jocelyn Guadalupe University Of The Philippines, Diliman, The Philippines | 02.30p.m. – 03.00p.m. The Remaking of the Fengyang Flower Drum Into a Fitness Dance Xiao Wei, Wang Philippine Women’s University, Manila, The Philippines. | 02.30p.m. – 03.00p.m. Western Classical Online Performances During the Covid-19 Pandemic: Challenges and Opportunities Dahlia Nazir Neniel University of Wollongong Malaysia KDU, Petaling Jaya, Malaysia |
03.00p.m. – 03.30p.m. Virtual and Real-Life Experience of Site -Specific Performance According to Emotion and Sense of Presence. John Stephen Moses University of Wollongong Malaysia KDU, Petaling Jaya, Malaysia | 03.00p.m. – 03.30p.m. From The Village to New Media: The Process of Mek Mulung Digitalisation
Universiti Pendidikan Sultan Idris, Malaysia |
PARALLEL SESSION 3 14 DECEMBER 2022 (Wednesday) 04:30 p.m. – 06:00 p.m. | ||
Performing Arts in Covid Era Room: KM1 Chair: Mohd Nizam Nasrifan | “Creative” Sustainability of Traditional Performing Arts Room: Smart Classroom Chair: Patricia Silvestre | Virtual performances Room: KM3 Chair: Camellia Siti Maya Mohamed Razali |
04.30p.m. – 05.00p.m. Wind Bands and Orchestras in the Greater Manila Area in the Time of COVID-19 Crystal Milarose Rodis-Concepcion University of the Philippines, Diliman, Philippines.
| 04.30p.m. – 05.00p.m. Musical Preferences of the Generation Alpha in a Vernacular Chinese National School in Malaysia Li Wen, Lim SJK(C) Kota Emerald, Selangor, Malaysia | 04.30p.m. – 05.00p.m. Improvisatory Images Don Bowyer University of the Philippines, Diliman, The Philippines |
05.00p.m. – 05.30p.m.
Distance Learning Effects on Italian Higher Music Student-Instrumentalists During The Lockdown At The Covid Time Annamaria Minafra Conservatorio “N. Piccinni”, Bari, Italy | 05.00p.m. – 05.30p.m. Contemporary Music Composition With Art Tech to Revive the Traditional Gongdong Music: The Ride of General Che (2021) For Wujiatou and E-Orch in Guangdong Music Style Chi-Hin, Leung The Education University of Hong Kong, Hong Kong
| 05.00p.m. – 05.30p.m. Being in Two Places at Once: Dual Meanings and Identities in the Composition (Pa)-ba-ya-(a)n-ko Alexander John Villanueva University of the Philippines, Diliman, The Philippines |
05.30p.m. – 05.50p.m. The Production of Affect in ABS-CBN’s ASAP (2004-2020) Patricia Marie Dizon University of the Philippines, Diliman, The Philippines
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PARALLEL SESSION 4 15 DECEMBER 2022 (Thursday) 09:00 a.m. – 11:00 a.m. | ||
Performing Arts in Covid Era Room: KM1 Chair: Sumathi Maniam | “Creative” Sustainability of Traditional Performing Arts Room: Smart Classroom Chair: Fara Dayana Mohd Jufry | Diversifying Research Methodologies in the Performing Arts Room: KM3 Chair: Muhammad Faisal Ahmad |
09.00a.m. – 09.30a.m. Mobile Learning as a “New Normal” in Vocal Lesson: A Case Study on Converting Conventional Classical Vocal Lesson during COVID-19 Yap Jin Hin Universiti Pendidikan Sultan Idris, Malaysia
| 09.00a.m. – 09.30a.m. Transcending Musical Performance of South East Asia: From the Real World to the Virtual World Khatriza Ahmad Saffian Universiti Putra Malaysia, Malaysia
| 09.00a.m. – 09.30a.m. The Effects of Tele Music-Based Voice Intervention Protocol (MUSVIP) on School Teachers’ Voice Fatigue Issue in Malaysia. Dim Sy How, Mei Foong Ang Universiti Putra Malaysia, Serdang, Malaysia |
09.30a.m. – 10.00a.m. Gitara at Awit (GA) Program: A Study on the Effect of the Remote Implementation of a Guitar Class Method as a Wellness and Community-Building Program for the Employees of the University of the Philippines (UP) Nathan Neil Manimtim University Of The Philippines, Diliman, The Philippines | 09.30a.m. – 10.00a.m. Technologies in Transforming the Conventional Choral Classroom Terrence Ling Hung Shu UCSI University, Malaysia | 09.30a.m. – 10.00a.m. “Eisenhardt Method” as an Interdisciplinary Approach in the Study of “Theatre Film” Zhang Xuan Universiti Sains Malaysia, Malaysia |
10.00a.m. – 10.20a.m. Kotekan on the Phone: Sustaining Balinese Gamelan at National Taiwan University Under COVID-19 pandemic Yick Sau, Lau National Taiwan University, Taipei, Taiwan | 10.00a.m. – 10.30a.m. Empowering Women Through the Lense of Matriarchy in Creating “Sopan” Choreography
LASALLE College of the Arts, Singapore. | 10.00a.m. – 10.20a.m. Transitioning From Tenor to Baritone Through the Lens of An Amateur Singer
Universiti Pendidikan Sultan Idris, Malaysia |
10.20a.m. – 10.50a.m. Papua Performing Arts in Digital Media I Wayan Rai Institut Seni Indonesia, Denpasar, Indonesia |
KEYNOTE 2
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Practice-Led Methodological Designs for Performance-Composition and Interdisciplinary Music Research Valerie Ross UiTM Conservatory of Music Moderator: Maria Christine Muyco |
PARALLEL SESSION 5 15 DECEMBER 2022 (Thursday) 02:00 p.m. – 03:30 p.m. | ||
Performing Arts in Covid Era Room: KM1 Chair: I Wayan Sudirana | “Creative” Sustainability of Traditional Performing Arts Room: Smart Classroom Chair: I Wayan Rai | Diversifying Research Methodologies in the Performing Arts Room: KM3 Chair: Nurulakmal Abdul Wahid |
02.00p.m. – 02.30p.m. Digital Gamelan Music; Creative Solution for Musicians During the Covid-19 Pandemic I Komang Sudirga Institut Seni Indonesia Denpasar, Indonesia | 02.00p.m. – 02.30p.m. Exploring Cosmopolitanism in Malaysian Bangsawan Theater Lena Farida Hussain Chin1, Nadhilah Suhaimi2 1Universiti Pendidikan Sultan Idris, Malaysia. 2Kementerian Pendidikan Malaysia, Malaysia
| 02.00p.m. – 02.30p.m. The Concept of ‘Restyle’ in Baroque Da Capo Aria Ornamentation. Dayang Siti Hazar Awang Hassim Universiti Pendidikan Sultan Idris, Malaysia |
02.30p.m. – 03.00p.m. Application of Music Box Therapy (BMT) for Hypertensive Patient in Methodist Hospital Medan: Applying GSR and MPX5050dp sensors Junita Batubara, Juliaster Marbun Universities HKBP Nommensen Medan, Indonesia | 02.30p.m. – 03.00p.m. Exploring the Changes and Connotation of the Shou Juan as a Prop in the Chinese Traditional Northeast Yangko Dance Since the 1980s Li Yidan Universiti Pendidikan Sultan Idris, Malaysia. | 02.30p.m. – 03.00p.m. Conceptualizing How Diaphragmatic Singing May Improve the Pulmonary Health of People With Long Covid Symptoms Yi Ling Chaing, Lok Yew Chang, Mei Foong Ang Universiti Putra Malaysia, Malaysia |
03.00p.m. – 03.30p.m. “Noise in Times of Trouble”: Senyawa, the Alkisah Network and the Decentralization of an Underground Music Community Luigi Monteanni SOAS, London, United Kingdom | 03.00p.m. – 03.20p.m. Recreating Jiangnan Sizhu in Hangzhou for Tourism, Commercialization, and the National Cultural Policy Yun Ke Li1, Clare Suet Ching Chan2 1Universiti Pendidikan Sultan Idris, Malaysia 2Universiti Putra Malaysia, Malaysia | 03.00p.m. – 03.30p.m. Teater Tiga Dara Terbang ke Bulan: Paradigma Gaya Pengarahan menerusi Penerapan V-Effect dalam Konsep Minimalis Muhammad Faisal Ahmad Universiti Pendidikan Sultan Idris, Malaysia |
PARALLEL SESSION 6 15 DECEMBER 2022 (Thursday) 04:30 p.m. – 06:00 p.m. | |
“Creative” Sustainability of Traditional Performing Arts Room: KM1 Chair: Jocelyn Guadalupe | Diversifying Research Methodologies in the Performing Arts Room: Smart Classroom Chair: Hafzan Zannie Hamza |
04.30p.m. – 05.00p.m. Na Saji:A New Method in Composing Balinese Karawitan Music
Institut Seni Indonesia, Denpasar, Indonesia | 04.30p.m. – 05.00p.m. Spectral Comparison of Rebana Recording Using Three Microphone Placements Khairil A. Dean Kamarudin Universiti Malaysia Kelantan, Malaysia
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05.00p.m. – 05.30p.m. Comparing Approaches to Music Education in Bulgaria
Johann Sebastian Bach Music Academy, Hong Kong | 05.00p.m. – 05.30p.m. Into the Unknown: Challenges of Fieldwork during the Pandemic I Gde Made Indra Sadguna Institut Seni Indonesia, Denpasar, Indonesia
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05.30p.m. – 05.50p.m. Descriptive Musical Morphology and Musical Semiotics in Fingering Sequence of Chinese Bamboo Flute Chao Yang, Camellia Siti Maya Mohamed Razali Universiti Putra Malaysia | 05.30p.m. – 05.50p.m. Pianist As Transcriber: Towards a Performance of Solo Version in Rachmaninoff’s Rhapsody on a Theme of Paganini Op.43 SiYuan, He Universiti Pendidikan Sultan Idris, Malaysia. |
PLENARY/FORUM 16 DECEMBER 2022 (Friday) 09:00 a.m. – 10:30 a.m. |
Philippine Catholic Cultural Performances and the COVID-19 Pandemic: Performing Live in the “New” Normal Sir Anril Pineda Tiatco University of the Philippines, Diliman, The Philipines
Pilar Three and Four: Approaches in Composing Balinese Gamelan Instruments Using Electronic Instruments I Wayan Sudirana Institut Seni Indonesia, Denpasar, Bali, Indonesia
The virtual artist researcher Ingolv Haaland University of Agder, Norway
Moderator: I Gde Made Indra Sadguna |
PARALLEL SESSION 7 16 DECEMBER 2022 (Friday) 11:30 a.m. – 12:30 p.m. | |
“Creative” Sustainability of Traditional Performing Arts Room: KM1 Chair: Leng Poh Gee | Diversifying Research Methodologies in the Performing Arts Room: Smart Classroom Chair: Crystal Mylarose Rodis-Concepcion |
11.30a.m. – 12.00p.m. Ghamuhyi: Postponement of Meaning in the Side Space of Musical Diversity Salman Alfarisi Universiti Pendidikan Sultan Idris, Malaysia | 11.30a.m. – 12.00p.m. An Artistic Research: Interpretation and Performance of the Classical Guitar in the Second Movement of the Concierto de Aranjuez Herry Rizal Djahwasi Universiti Pendidikan Sultan Idris, Malaysia
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12.00p.m. – 12.20p.m. Performing the Cultural Identities of Contemporary Guqin Performers in Shijiazhuang, China HuiWen Qu1, Clare Chan2 1Universiti Pendidikan Sultan Idris, Malaysia. 2Universiti Putra Malaysia, Malaysia | 12.00p.m. – 12.20p.m. A Narrative Research on the Development of Malaysian Art Song Since 1960s Sin Kit Koh, Mei Foong Ang Universiti Putra Malaysia, Malaysia |